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1/1/11

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Pinakothek der Moderne, a wooden necklace

after three weeks away from home, i am spread around the globe like fly on a windshield, except i am alive and will now reassemble myself slowly, before i jump off again.
first there was a week in beijing. and i have learned so much there about myself and life that i will need to think about it for a while, and maybe a while long enough to outlast me.
that is very possible.
the thinking i was pulled into on this trip to china was so fundamental and so deeply set in human existence that it is not something i can just simply put in words or write about as if it were just another occurrence.
not that i would write about any other occurrence here.
then the two following weeks were spent in germany, in some places familiar and in some places much less familiar. and the airline lost my baggage for about 10 days, so there was a very vulnerable quality to most of the time spent in bavaria and swabia.
i felt lost at times, even though i should not have.
and felt cornered, and angry. for no reason visible to the outside world.
so in a way this was also a very transformational experience, but maybe this time one i do not really understand enough to even interpret properly.

it is almost midnight on the first day of the first month of 2011. and i am awake as if it were around noon of the second of january. and my suitcases are still packed. i have not even looked at the pictures again that i took in the last three weeks. there is a hum in my head and my dreams seem to be straight out of inception's abandoned scripts.

it is incredible how i manage to throw myself into this similar state almost every year. it is not that i am placing any resolutions in front of myself. it is that giant shifts somehow happen around now. and it could just me that this might be the only time left for me to actually stop for more than a day or two and to look at my feet and the ground and the ground beneath the ground and to look at the sky beyond that.
maybe. perhaps this is the only time left when i can become a set of ripples in a pond.

and all of this will probably sound ridiculous to anyone outside. and it will probably all sound ridiculous to me in a few days from now.
but it will probably not make it less valid at this current moment in time.


Pinakothek der Moderne, a wooden necklace

The boxer looked at me suspiciously as I was on my way back to the seat behind his.
I felt a bit as if he were just about attack me. But I guess that's jst the way he looks at people sometimes. It was a bit as if his eyes were capable to generate a rede dot of light. The last warning before a bullet follows.

The three men who are with him, pudgy, loud and happy drinkers certainly do not have that sniperish spark. Or at least not today.

I met several flaneurs in Garmisch-Partenkirchen yesterday. Maybe they were far enough out of their element to be called something else. I met them for seconds at a time.

A woman walking down the path towards Partenkirchen gave me directions to a place she never had the opportunity to visit. A place called Schöne Aussicht simply had to have a good view. Or at least at some point in the conscious past.
I am now not completely sure if I actually ever managed to arrived at the Schöne Aussicht, or if i managed to walk beyond it without actually recognizing it.
The views were beautiful. All along. I might have passed the one recommended, of course.

Then there was the elderly couple who liked that I was using my umbrella to protect myself from the afternoon sun. Their dog Baloo could not know that it had the same name as the most recent friend of my parents. The one whom they had to bury in their neighbor's garden, after the poor thing was not strong enough to lift his leg. Or any leg. A smart little buddy of a border collie reduced to a shitting carpet. Blind. And yet happy.
The dog running around the Alm somewhere above Partenkirchen was still oblivious of his destination. It was a golden retriever. A dog not completely aware of the jobs available in this mountain environment. It even ran away for a little while.
That's how I knew his name.

Soon after I met two horses under the shadow of the tree. With them, hundreds of flies eating on them. The Horses' eyes were almost completely closed. They looked very tired with their bodies standing close to each other and in a way that would allow them to kick anybody with the audacity to get too close to the tree, the flies, them.

Ten cows, and their ten sucking calves walked up the hill not far away from any shadow. They had come to drink in a place prepared just for that occasion. The mothers were able to have the water. The little ones were hungry, and allowed to have the milk.
All played their part in the symphony of bells. Small and large.
The mountainside. Suddenly beyond romantic. The sounds. The sounds.

Down the road, beyond the gate made for cows and people, I encountered the snake. A snake I almost stepped on. It looked too big and its colors were too interesting for it to be harmless. And its neck had turned itself into an S. It was ready to bite me, or at least launch its head after me. Clearly.
We both stared at each other in a calm or perhaps even focussed way. Or at least that was my interpretation of it.
We just stood there for a while. Well, I stood there for a while. The snake obviously did not.
I wondered if it was my now stupid black umbrella that worried the animal so much. I imagined that I must have looked like a large bird? I could imagine how the snake did not want to die exactly here an now. I moved away slowly. And so did the snake.

Then there was the girl on the meadow. This one was dressed. She was unlike the one who lay there naked next to the train tracks a few miles out of Garmisch.
Staring at the passing by trains.
The dressed one on the meadow here had her head turned away. Privacy can somehow achieved by just not looking. It is true for the New York subway. And apparently also for the meadow just outside of Garmisch-Partenkirchen

Further down the street, a little girl on the monocycle pedaled by me. "this looks incredibly difficult" I said. "it is incredibly easy. You just need to practice." she answered,
as she sped down the hill and between the painted houses.

The saddest encounters were not even with the living. At the St. Anton church, nailed to its walls, a cemetery of memories. Men and women who left the place for a war, never to return.
Their photos looked like those of friends.
Some of them looked the way I used to look when I was their age, 18, 20, 21, 30, 35. One was exactly my current age when he died.
Some were not even allowed to have died. They were just "lost". They were not even given the privilege to become actual bodies in an actual grave. No closure permitted for those left behind.

One board had been carved for two twin brothers and their older, third.
It was tragic enough that all three brothers did not return to their home here. But what seemed to make matters worse, was that one of the twins apparently managed to survive the war. He died in 1948 when finally allowed to go back home from siberia. Or at least I hope he was allowed to go home. I am not sure why in exactly this moment I remembered the two fly covered horses under the tree.
Did he die knowing of what had happened to his brothers?
Was he hopeful and looking forward to returning here? To the very spot I was standing on?
Most of the men seemed to have died in February; in Russia.
I felt privileged to be able to encounter a summer in the beautiful town they were forced to leave to die. And I was aware that there were many other photographs somewhere out there, tragically connected to these. Mothers and fathers and sisters and brothers in other villages somewhere far away. Connected to the same horrible events. Their family killed or "lost".

A man barely able to utter a sentence had sent me on the walk, actually.
He was a man in his twenties maybe? His eyes hidden somewhere in the depths of their sockets and stumbling words seemingly barely able to find their way out of his mouth.
He seemed to be a head taller than me, his arms somehow uncontrolled and randomly helpful and almost dangerous.
He approached me in the little chapel where I happened to be taking a picture of the "holy water to go" in a corner. It was a relatively large jar.
I refilled my bottle with holy water from the plastic barrel nearby. When I was taking the picture, the need to frame it correctly must have made me look pious. I was a person kneeling in the corner of a tiny church. Not even in any center of it.

The man was very helpful.

He sent me in the direction of the pictures, the snake, the girl on the monocycle, the cows, the horses and even the beautiful view of Zugspitze.

The train rides from and back to Munich were pleasant. Out of habit I had purchased first class tickets. And so I ended up being the only person in a car attached to an otherwise crowded train.
I paid for the solitude.
And the lack of conversation.
But perhaps also for the luxury of reflection.

I hope the boxer from flight LH410 will win his fight. The three pudgy men will undoubtedly be very happy when it happens. They will probably take the plane back to Munich with more joy then. And they will drink more and they will take more pictures of their boxer.
And he looked quite good with a yet unbroken nose.

A bit too early for that.

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This last visit to Germany really took away some years from the end of my life. And it was not the food, because that was rather good. And it was not the places where I stayed, as I seemed to get upgraded in every hotel now. And not even the travel. All modes of transportation were about as good as I could have hoped for.
No, it was the psychological underpinnings of it. And maybe the weather too.
I have been ground down to a little core of a grain at this point. And the nerves are blank now. And I overreact to the world inside and outside of me.
My biggest piece of good luck is probably to be surrounded by brilliant people. Or what might be the bigger piece of good luck even is that the brilliant people are on my side of the equation.

But that last trip managed to bargain out quite a price for what will some day be seen as "experience". Or maybe the memory is just freshest at this point. That's probably what it really is.

And now, before 4 am on a Monday. I should probably not be typing on the glass surface of a little device that really wants to grab more and more of my attention.
The moon is rising as a thin orange sliver over the outline of the King's county hospital. And I should be sleeping. Too much is too much. Sometimes it really is.

this is not a book with empty pages.

managed to not say a word to the guy sitting next to me on the plane. even though we appeared to be the same age, we seemed to read the same magazines, and even ordered the same food.
well, i watched "wickie der wikinger" right after "kojak" while he held his iphone close enough to his face to leave smear marks on the screen. with his eyelashes. it was some art movie. mostly blue pictures of people doing something.
it was not my seat anyway. i was supposed to sit two rows back, in a seat i had booked months in advance. but there was this father who wanted to sit next to his sons.
"i speak three languages" said one of the boys, maybe 8, instead of a hello, when i was exchanging my opened blanket for the one that had not been used yet.
"oh that's nice, what are the languages?" " i speak english, german, and french."
"das ist ja sehr schön, dann haben wir zwei sprachen gemeinsam" "ja"
i was a bit upset that we did not have three languages in common. today.
perhaps the boy will end up learning polish at some point in his life, or perhaps i will finally be forced to learn french.
that charles V quote i recently read somewhere made me smile... I speak Spanish to God, Italian to women, French to men, and German to my horse.
he should have probably mixed it up now and then. and would he have used other languages had he not suffered from the habsburg jaw?

we are back in new york. the snow flurries are turning the palette of the brooklyn i can see out of the window now into something that one would probably use a pencil to describe, perhaps some dirtied sienna? a true lead pencil?
it appears to be cold enough for the flakes to actually bounce of each other as they land. they do not feel they should be come one cover of snow yet. right now they want to be new year flakes.

we travelled a bit too quickly in the last few weeks. it is so tempting to just jump on a train to go to a place that is so close and yet so different than the current location. köln is now about an hour away from frankfurt? really? that's pretty much the length of my daily commute today.

what is it like to express anything in more than 140 characters? how many facebook friends does it take to make one who will actually save one's life when it is threatened? not just like or comment on one's fall. or just retweet it.

jetlag can be a beautiful thing. and now i am even 5 minutes early.

Walked around the castle this morning. There is a field in the back, waiting for its yellow color. the trees are currently covered with multiple layers of moss. birds are moving in slowly into the many homes prepared for them. what sounds like a joyful song could potentially be an angry territorial argument.
it is still cold here, but the water around the castle is molten now and school of huge carp wait for their feeding, or maybe for the mosquito larvae which could also make a delicious snack.
my room is like a snail house made out of oak planks and granite. so wonderfully quiet, calm, a very fine filter for concerns. perhaps the very tiny ones make it through. no big ones allowed.
calmness. or slowness, as suggested by the Hamish Fulton piece in the lobby.
there is a small one in my room as well. each room has a special one. there are 65 of them.
also sat down in the old chapel of the castle. a Lawrence Weiner piece reminds about stone plus stone & stone and stone.
stone and wood.
we are just like water around them.
calm now.

going back for a short visit to munich now.

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